i need you love to pierce my heart
i need you love to bring my tears
to make me weep
to make me laugh
help me feel love
help me understand
help me heal this broken life
help me know
i am corrupted
i have lost my soul
my life needs you love
teach me love
teach me you
let me in so i understand
let me know you
let me know myself
let me in
i feel hopeless
i feel lost
show me love
show me hope
help me so i might live
so i might love
so i might
so i might share love
so i might share life
where are you love
only you love
can make things right
It is true as long as you bought it
It is true as long as social media likes it
It is true as long as your echo chamber repeats it
Bought and sold
Traded for mutual benefit
Buy it! Wear it! Drive it! Eat it! Own it!
Truth is a commodity
“Chill Out is the third studio album by The KLF, and the first album under the name, released in February 1990. An ambient house concept album, it portrays a mythical night-time journey up the US Gulf Coast from Texas into Louisiana. The album is a continuous composition, in which sampled music (including Elvis Presley, Fleetwood Mac, Acker Bilk and Tuvan throat singers), vocal samples and sound effects are overlaid with original music.”
“K Foundation Burn a Million Quid was an action on 23 August 1994 in which the K Foundation (an art duo consisting of Bill Drummond and Jimmy Cauty) burned cash in the amount of one million pounds sterling in a disused boathouse on the Ardfin Estate on the Scottish island of Jura. The money represented the bulk of the K Foundation’s funds, earned by Drummond and Cauty as The KLF, one of the United Kingdom’s most successful pop groups of the early 1990’s.”
“You make me want to cry”
Good grief bad grief our grief why grief?
My dear it’s not necessary. Not necessary, not at all.
Catastrophe and grief. Israel and Palestine. Wars against God for God who’s God what about Gaia God? Oil junkies waging war and making a miniseries out of the obscene inhumanity on corporate news media so we can watch the same clip of exploding bombs and infernos consuming communities only to be reminded and reassured every twelve minutes that we’re the ‘good’ guys and that fresh breath and white teeth will get you a date with that hot guy who drives this year’s model of an eco-friendly smart car that is still dependent on an unsustainable energy culture that tells us that pipelines are safe and good for the economy.
Death follows greed. Grief follows greed. Suffering and Poverty are my neighbours. They live unsheltered. Their life no more, but no less a life. Beaten but free. Limited by this culture; this nightmare. This web of lies; made-up fun fun Christmas/Santa all year long culture we drudge through. One shopping sale event to the next reminding us that the ‘Dream’ is most important and that consuming is great. What better way to share the memories of any holiday season than with a one stop shop at your city size Walmart conveniently located to manipulate our insecurities and destroy our communities. Thank you consumer culture for your keen insight of what it is to be happy and for a limited time at half the price.
Hate the poor. Make sure they hate themselves too. Marginalize the ones happy with enough. Keep their happiness but steps away. Force them to choose daily gut wrenching dread as a means of survival. Slavery sugar-coated with wages. Slavery disguised as gainful employment with bi-weekly allowances to spend on lifestyles reinforced by greed culture adding link after link after link to the heavy chain of debt strangling our freedom and securing our place in line at the altar of Moloch.
One step away from sidewalks and underground heat vents. One step away from ‘spare any change?’ cardboard and jiffy marker messages. Always one dollar away from taking over the world.
Very Nice, Very Nice is a 7 minute long avant-garde collage film made by Arthur Lipsett in 1961, and produced by the National Film Board of Canada.
While working at the National Film Board, Lipsett collected pieces of audio from the waste bins and pieced them together as a hobby. When his friends heard the product of this they suggested that he add images to it. The result was this film. It was nominated for the Academy Award for Best Short Subject, Live Action Subjects in 1962. Despite not winning the Oscar, this film brought Lipsett considerable praise from critics and directors. Stanley Kubrick was one of Lipsett’s fans, and asked him to create a trailer for his upcoming movie Dr. Strangelove. Lipsett declined Kubrick’s offer. Kubrick went on to direct the trailer himself; however, Lipsett’s influence on Kubrick is clearly visible in the released trailer.
Nominated for an Academy Award for Best Short Subject in 1962.
By 1970 this film had 200 prints in circulation. It is often shown at film festivals and in film schools.